Showing posts with label rhythm. Show all posts
Showing posts with label rhythm. Show all posts

Tuesday, July 29, 2014

The Poet in You, Yes YOU!


Yesterday, I shared some spontaneous, albeit not my best poetry, and was starting to analyze and/or define it. I thought that I would save for this blog as there are variations of poems as there are poets.

Here are some I am familiar with: 'mystic poetry' (not sure the exact name though I assume this is the closest to describing poetry) from the likes of Rumi and Hafiz, former 'Middle Eastern' poets (http://en.wikipedia.org/wiki/Middle_East):
A poet is someone
Who can pour Light into a cup
and raise it to nourish your
beautiful parched holy mouth

- Hafiz
Tender words we spoke
to one another
are sealed
in the secret vaults of heaven.
One day like rain,
they will fall to earth
and grow green
all over the world

- Rumi
Haiku, a short and unique style of poetry that changed over time was born in Japan (http://en.wikipedia.org/wiki/Haiku_in_English). I prefer this simpler interpretation better (http://www.wikihow.com/Write-a-Haiku-Poem). It features three lines, the first with five syllables, the second with seven, and the third with five. It is often on the theme of nature.

I have attempted haiku though it is a challenge for me. Here is one I just wrote:
First cherry blossoms
Delights both my nose and eyes
No going back now
Or how about this one I also wrote as part of this posting:
a feast for my eyes
pink petals dropping like rain
- ballerina show
There's that word "delights" again! Must like it as I also used it in yesterday's spontaneous poem.

Limericks originated in England - I thought Ireland! - with five lines: Lines 1, 2, and 5 have eight syllables and rhyme, and Lines 3 and 4 have five syllables rhyme (as in A, A, B, B, A). They are usually nonsensical and silly. The following limerick, a great example of its structure, won an Irish 'Listowel Writers Week' prize in 1998 (http://en.wikipedia.org/wiki/Limerick_%28poetry%29):
Writing a Limerick's absurd,
Line one and line five rhyme in word,
And just as you've reckoned
They rhyme with the second;
The fourth line must rhyme with the third
.
And then the prose poem was birthed in 19th century France and Germany; a combination of both prose and poem (http://en.wikipedia.org/wiki/Poem.) Rainer Maria Rilke is a prose writer as well as Hans Christian Andersen, even Edgar Allan Poe!

My favourite prose poem or one of them is The Invitation by Oriah Mountain Dreamer. I am only listing the link http://www.oriahmountaindreamer.com/ for brevity's sake: see left-hand side of her website. (You may need to use control plus the button on your mouse pad to enlarge it!)

Here is my take on prose poetry, an excerpt of one I wrote in Grade 9. Yep, I'm proud of that piece of writing as I received an A+ on it!
"...The leaves murmur among themselves, bravely preparing for the coming of winter..." And a little further on I continue, "The melancholy trees moan and mourn for the loss of their leaves ... The trees shiver from the cold as they are unprotected ..."
But what is the definition of a "poem" in the first place. According to google - where else would you suggest I go? Please tell me and I'm serious about that - this is their definition: "a piece of writing that partakes of the nature of both speech and song that is nearly always rhythmical, usually metaphorical, and often exhibits such formal elements as meter, rhyme, and stanzaic structure. Synonyms: verse, rhyme, piece of poetry, song ... something that arouses strong emotions because of its beauty."

I wonder about that I have come across some - hopefully not mine - that do not necessarily evoke strong emotions or rhymes or is rhythmic for that matter.

According to wikipedia (http://en.wikipedia.org/wiki/Poetry), "Poetry is a form of literature that uses aesthetic and rhythmic qualities of language - such as phonaesthetics, sound symbolism, and metre - to evoke meanings in addition to, or in place of, the prosaic ostensible meaning." Well, that's a poetic mouthful. I'll let you figure out that in plain English! ;)

To be continued, with some unusual videos. ;)

What is your take on poetry? If you were a poet, would you wear any of the above-mentioned styles on your sleeve or heartstrings? If not, what is your style?

Saturday, July 5, 2014

spirityouall: Bobby McFerrin et al.




Today I am taking it upon myself to blog earlier in the day rather than late in the day, when, well, it's almost the next day! (And I am linking the site just in case the video ever somehow disappears as can happen, https://www.youtube.com/watch?v=6W56UH745o4).

Please note that though I realize this is a somewhat lengthy video, it is worth watching and listening to in its entirety if possible. I recommend at the least to fast forward at different points to get a range of Bobby McFerrin experience, including and especially his interview.

How many of you have heard of or better yet heard or attended (preferably) a concert by Bobby McFerrin? You're probably well-versed with "Don't Worry, Be Happy", his hit song in 1988. If you haven't already, I highly recommend that you run, not walk to your nearest Ticketmaster or wherever you purchase tickets from, unless you do so online. You won't regret it!

Witnessing, seeing, hearing, experiencing Bobby in person is a totally different experience or phenomenon. After all, he can sing a range of four octaves as well as two tones at the same time, known as overtones. I'm sure there are others who can do the same though I have only heard one thus far, Jerry DesVoignes. (More about him and overtones another time.)

I felt a very strong impulse that I was (meant) to attend Bobby McFerrin's spirityouall concert two weekends ago when he came as part of Vancouver, BC's Jazz Festival. My, home time flies! I had wanted to blog about him shortly after that.

As I am typing here - my preference over handwriting (read my blog post from two days ago, June 30th as to one reason why) - I am listening with "new ears" to Medicine Music, Bobby's CD from 1990 (yes, you read that right).

I say that because that concert in a sense opened my ears up to a new way of listening. I witnessed with my eyes and ears the phenomenal approaches/techniques/modalities (whatever you prefer to call it) that Bobby utilizes with his God-given instruments of not only his voicebox, but also his body (which is why I suggest a concert).

No wonder the Chicago Tribune describes him as follows, "There are essentially two categories of singers in the world: McFerrin and everybody else." And similarly, from this weblink where I got the above quote, http://www.coastaljazz.ca/artist/bobby_mcferrin is another such kudo: "10-time Grammy winner Bobby McFerrin blurs the lines between popular music and high art, inspiring a whole new generation of a cappella singers and the beatbox movement."

I had heard of beatboxing and witnessed it a few years ago when a man was doing so at a musical performance in his home (more about him later in a future posting). I got up quite close to him to truly see and hear him: I was not only fascinated, I was hooked! Well, not in a way that I was to do it - I wish I knew how I could though (can I?) - but I absolutely love the wonder, the mystery, and varied sounds that the body can amazingly produce.

You can check out my April 4th blog post here to see another Vancouver beatboxer named Shamik at a TedTalk, http://www.xpressyouressence.blogspot.ca/2014/04/seconds-tribute-to-ted-talks_4.html to experience this.

Truly, if I knew how to beatbox and/or hip hop, I think I might be on a street, corner or otherwise, and perform. It is so magical and rhythmic and fun. Besides I love to dance/move/groove and my hands move intuitively, spontaneously, magically anyway.

Upon leaving the joyous, fun-loving, heart-opening and heart-expanding, Bobby McFerrin concert, I heard this beautiful rhythm that called me to where this young man, Rafael Casal and two others were performing with their beatboxing/hip hop/performance poetry, together and individually.

How does beatboxing and other rhythmic sounds make you feel when you hear them? How do their sounds resonate in your body?

Friday, April 4, 2014

Seconds: Tribute to TED Talks



My second installment of TED talks (that happen to be held in Vancouver, BC) features music with a twist. Well, some of you may not call it that, i.e., 'music.' However, it changes about 3/4 into the video where it may sound more like it to you.

Similar to one of the TED talks in my previous posting (March 21st), it features a beatboxer, yet with a completely different style. (I believe he uses a tape loop where his 'music' is recorded so he can transpose on top of it which he does in the video.)

I heard about Shamik, a Vancouver-based beatboxer (making music with his voicebox) and DJ: https://soundcloud.com/shamik through a radio show. "Free Spirit", a piece of his music played at the beginning and end of "Breaking the RULES with Tammra Broughton LIVE on LIVING PROOF RADIO" (April 1, 2014, www.livingproofradio.com or direct at http://podroom.a2zen.fm/podcasts/living-proof-radio/breaking-the-rules-with-tammra-broughton-live-on-l#.Uz5aF6JvCQE

His "Shamik vs M.I.A." - M.I.A.=Missing in Action - an interesting mix of beatboxing and rap similar to "Momentum". Most of his beats and music featured on his website are short pieces (www.shamikmusic.com).

When I first heard beatboxing, I was so mesmerized that I felt like a little kid with a new toy or a bright and shiny object. I might have looked like one too, albeit it didn't matter to me. I was right up close, as close as I could get, with my eyes and mouth wide, in awe, like a child in wonder. How marvelous the human body is and what sounds it can make!

What appeals to you about this genre of music? How can you be in a state of wonder hearing this anew?